Keywords |
Irish photographer, Obsession, Tony Crosbie, Tony Crosby, At-risk photos, Creative work, Anthony Crosbie, Anthony Crosby, Irish art, Dublin artist, Exhibitions, Art, Photography, photograph, Drawing,, Outreach programmes, Outreach programs, Outreach artwork, passion, Prison art programmes, Prison art programs, Issue-based work, desire, Confrontational photography, confrontational photography, exclusion, isolation, Intense photography, preoccupied, National Gallery of the Cayman Islands, persistent, City Arts Centre, intense photography, Gallery If, art, Berlin, automatic writing, Dublin Civic Office, Millay Colony, Triskel Arts Centre, Cuba, Fire Station Artists Studios, Viva Cuba, Draiocht Arts Centre, National College of Art and Design, NCAD, Droichead Arts Centre, Fairbanks Prison, Multimedia, Northward Prison, Contemporary art, modern art, Mountjoy Prison, Confrontation photographs, humanity through photography, photo’s of Alienation, honesty, Pain, expression, Sculpture, practice, Freedom, artistic, Courage, priority, Torment, intimacy, Echoes, unyielding, Recovery, unresolved, Affirmation, Challenging, Challenge, Anguish, Language, Body language, Wasteland, Silence, Crimes against humanity, cultural, Midlands Prison, Portlaoise Prison, Drugs Task Force, Irish Foundation, Outfit Projects, Cayman Islands, Ireland, Republic of Ireland, Multicultural, Community programmes, Community programs, community arts, Youth programmes, youth programs, Inner City Partnership, Social partnership, Marginalized society, uncompromising, Cultural, human behaviour, Correctional art, arts network, Multi-disciplinary programs, Multi-disciplinary programmes, Vulnerability, from within, Expressive photos, recovery programmes, Recovery programs, human rights violations, Violations, social injustice, At-risk youth, Underserved youth, Mixed media, mixed-media, from within, Thought-provoking art, National Gallery of the Cayman Islands, Caribbean Museum Center for the Arts, Faces of Havana, self portrait
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